The Bends

The Bends
Studio album by Radiohead
Released 13 March 1995
Recorded August – November 1994 at Abbey Road Studios, London
Genre Alternative rock
Length 48:37
Label Parlophone (international)
Capitol (US)
Producer John Leckie
Radiohead chronology
Pablo Honey
(1993)
The Bends
(1995)
OK Computer
(1997)
Singles from The Bends
  1. "My Iron Lung"
    Released: 24 October 1994
  2. "High and Dry/Planet Telex"
    Released: February 1995
  3. "Fake Plastic Trees"
    Released: 15 May 1995
  4. "Just"
    Released: 7 August 1995
  5. "Street Spirit (Fade Out)"
    Released: 22 January 1996
  6. "The Bends (promo)"
    Released: July 1996
  7. "Bones (promo)"

The Bends is the second studio album by the English alternative rock band Radiohead, released on 13 March 1995 by Parlophone. The Bends was produced by John Leckie at EMI's studios in London, and engineered by Nigel Godrich, who would go on to produce all future albums by the band. Featuring five charting singles, the album also marked the beginning of a shift in aesthetics and themes for the band, with greater use of keyboards, and more abrasive guitar tracks balancing subtler ones. The introspective grunge-influenced style of Pablo Honey evolved toward more multi-layered rock with cryptic lyrics and larger ideas, as the band and singer Thom Yorke reacted against the rigors of near-constant world tours. "Street Spirit (Fade Out)", the final single and last song on the album, became their first top five UK hit.

The album was subject to greater critical acclaim than their debut Pablo Honey (1993), receiving an enthusiastic critical reaction, and it reached number four in the UK Albums Chart.[1] However, it failed to build on the commercial success of their single "Creep" outside the United Kingdom, and it peaked on the American charts at number 88.[2] Although it lacked the instant success of later Radiohead albums, The Bends achieved triple platinum sales certifications in the UK and Canada and platinum sales in the United States and the European Union. In the years since its release, the album has frequently appeared in listener polls and critics' lists of best contemporary rock albums.

Contents

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Background

By the time Radiohead began their first US tour in early 1993, their single "Creep" (1992) was in heavy rotation on MTV and had achieved top ten chart positions in the UK and the US when reissued in 1993.[3] The grunge sound of their debut album Pablo Honey (1993) had led to the band being described as "Nirvana-lite",[4] and neither the album nor the singles "Stop Whispering" and "Anyone Can Play Guitar" matched the chart success of "Creep".

Radiohead nearly broke up due to the pressure of sudden success as the tour extended into its second year.[5] The band described the tour as a miserable experience, as towards its end they were "still playing the same songs that [they had] recorded two years previously... almost like being held in a time warp."[6] Tensions were high, as the band felt smothered by both the success of "Creep" and the mounting expectations for a superior follow-up.[7] The band sought a change of scenery, touring Australasia and the Far East in an attempt to reduce the pressure. However, confronted again by their popularity, Yorke became disenchanted at being "right at the sharp end of the sexy, sassy, MTV eye-candy lifestyle" he felt he was helping to sell to the world.[8] The 1994 EP My Iron Lung, featuring the single of the same title, was Radiohead's reaction, marking a transition towards the greater depth they aimed for on their second album.[9] The album is dedicated to the late comedian Bill Hicks.

Recording and production

At the start of 1994, Radiohead began working on song arrangements for The Bends. They were encouraged by both the material and their producer of choice, John Leckie, who had agreed to work with them on the album.[10] Sessions were due to begin at London's RAK Studio in January; however, fellow Oxford band Ride asked Leckie to perform some last-minute emergency work on their forthcoming album Carnival of Light.[11] Radiohead agreed to postpone the start of the album's sessions to 24 February to accommodate Leckie. The band used the extra time to practise their songs, but this later proved unsatisfactory to them – Yorke said, "We had all of these songs and we really liked them, but we knew them almost too well . . . so we had to sort of learn to like them again before we could record them, which is odd."[12]

The band found the first two months of work on the album difficult. While they were pleased with Leckie and engineer Nigel Godrich, they felt pressured to follow up the success of Pablo Honey.[12] The band's record label, EMI, had set an October 1994 release date for the record, which later proved unrealistic. EMI also suggested Radiohead should record the album's lead single first. No one could agree on what the lead single should be, so the band worked on four tracks they considered candidates: "Sulk", "The Bends", "Just", and "Nice Dream". The approach proved counter-productive; Leckie recalled, "Everyone was pulling their hair out saying, 'It's not good enough!' [. . .] We were trying too hard". The recording process slowed down further as guitarist Jonny Greenwood experimented with several rented guitars and amplifiers in order to discover "a really special sound" for his instrument, despite Leckie's belief that Greenwood already had one. According to Leckie, whenever a record company representative or the group's management came to check on the album's progress, all the band would have to show them was "a drum sound or something".[13]

In an attempt to defuse tensions between Yorke and the rest of the band, which had begun over whether or not they should take a break from the sessions that April, Leckie suggested to Yorke that he record some songs by himself on guitar. The group had a tour lined up for May until mid-June, which meant that the album would not be completed by October as planned. By the end of the sessions at RAK, Radiohead had recorded several songs that would appear on the album, as well as most of the tracks that would appear on My Iron Lung extended play (EP).[14] They resumed recording on 16 June at businessman Richard Branson's rural studio complex the Manor. Unlike the sessions at RAK, the group recorded material quickly; Leckie felt the break for the tour gave the group "confidence' in the songs again. The band completed recording the album at Abbey Road Studios in London, where Leckie also mixed some of the songs.[15]

Due to the poor commercial performance of the My Iron Lung EP, EMI decided Pablo Honey producers Sean Slade and Paul Q. Kolderie would remix the album tracks in the United States.[16] Leckie did not realise what was happening until EMI asked him for copies of the multi-track tapes. Leckie said EMI "had been going on about trying to get an American sound for the record from the minute I got involved". Kolderie insisted he and Slade did not lobby to remix the album, but EMI made the decision and the band supported it after hearing Pablo Honey play over a sound system during an in-store appearance. Leckie did not always like what Slade and Kolderie produced, but he has since stated that it was a sound decision to have others approach the music with a fresh approach.[17]

Music

According to the band, The Bends marked the start of a gradual turn in Yorke's songwriting from personal angst to the more cryptic lyrics and social and global themes that would come to dominate the band's later work. Most of the album was seen to continue the lyrical concerns of Pablo Honey, although in more mature fashion. The songs "Fake Plastic Trees" and, in particular, "Street Spirit (Fade Out)" and its b-side "Talk Show Host", are often seen as a precursor to their next album OK Computer (1997). "Fake Plastic Trees" was partly inspired by the commercial development of Canary Wharf,[18] while "Sulk" was written as a response to the Hungerford massacre.[19] According to Yorke, "Street Spirit (Fade Out)" was inspired by the book The Famished Road by Ben Okri.

The lyrics to the songs on The Bends, particularly those of "My Iron Lung", were cited in the British music press as an example of Yorke's alleged depression. Melody Maker ran an article during The Bends period which suggested Yorke would be the next "rock 'n roll martyr" or suicide.[20]

Packaging

The Bends was the first of the band's full-length records with artwork by Stanley Donwood, in collaboration with Yorke, who went under the name "The White Chocolate Farm" (later shortened to Tchock). Originally Yorke had wanted to use an image of an iron lung as the cover, but he lost it. The eventual album cover was created at the last minute by morphing a photograph taken by Donwood of a medical dummy with Yorke's own face. The album cover is actually an image of the Resusci Anne manikin made by Laerdal Medical Corp.

Reception and legacy

Professional ratings
Review scores
Source Rating
Allmusic [21]
Alternative Press (favourable) [22]
BBC (favourable)[23]
Blender [24]
Entertainment Weekly (B+) [25]
The Independent (favourable) [26]
Pitchfork Media (10.0/10)[27]
Robert Christgau C[28]
Rolling Stone [29]
Yahoo! Music [30]

The Bends met with greater critical acclaim than Pablo Honey, appearing on many end-of-year lists in 1995. Within the UK, it assured Radiohead's role as a standard-bearer of "indie" Brit-rock bands.[31] The album was released during the height of the '90s Britpop movement, benefiting from renewed press attention to British guitar music; however, in the band's home country, Radiohead's music was rarely grouped with Blur, Pulp and other so-called "Britpop" acts, instead receiving some acclaim for diverging from the fashionable aspects of the scene.

In the US, the album eventually reached number 88 on the Billboard 200 in 1996, while the single "High and Dry" reached number 78 on the Billboard Hot 100. In the UK, The Bends reached number 4 and remains a bestseller. In mid-1995 Radiohead toured as an opening act for R.E.M., playing songs from The Bends and extending their popularity with a mass audience.

The Bends had an influence on the subsequent generation of British pop bands. In 2006, The Observer listed it as one of "the 50 albums that changed music", saying, "Radiohead's Thom Yorke popularised the angst-laden falsetto, a thoughtful opposite to the chest-beating lad-rock personified by Oasis's Liam Gallagher. Singing in a higher octave-range and falsetto voice to a backdrop of churning guitars became a much-copied idea, however, one that eventually coalesced into an entire decade of sound. Without this, Coldplay would not exist, nor Keane, nor James Blunt."[32] Radiohead members said they later distanced themselves from their mid '90s sound partly because they felt little affinity for those that adopted the sound.

The Bends took second place behind Radiohead's OK Computer in both 1998 and 2006 reader polls of Q magazine for the best album of all time. In 2003, the album was ranked number 110 on Rolling Stone's list of the 500 greatest albums of all time. The Bends was the highest entry of three Radiohead albums to make the list (OK Computer and Kid A being the others).[33] In 2000, Virgin's "Top 1000 Albums of All Time" ranked The Bends at number two, second only to Revolver by The Beatles.[34] In 2006, British Hit Singles & Albums and NME organised a poll of which, 40,000 people worldwide voted for the 100 best albums ever and The Bends was placed at number 10 on the list.[35]

The album is mentioned in the Porcupine Tree song "Pure Narcotic" on the album Stupid Dream: "You keep me waiting. You keep me alone in a room full of friends. You keep me hating. You keep me listening to the Bends." The song (Nice Dream) is used in the season 3 of How I Met Your Mother, at the beginning of the last episode called Miracles.

Track listing

The Bends (1995)

All songs written by Radiohead.

No. Title Length
1. "Planet Telex"   4:19
2. "The Bends"   4:06
3. "High and Dry"   4:17
4. "Fake Plastic Trees"   4:50
5. "Bones"   3:09
6. "(Nice Dream)"   3:53
7. "Just"   3:54
8. "My Iron Lung"   4:36
9. "Bullet Proof..I Wish I Was"   3:28
10. "Black Star"   4:07
11. "Sulk"   3:42
12. "Street Spirit (Fade Out)"   4:12

The Bends Collector's Edition (2009)

Disc 2 of the collector's edition contains B-sides from the album's singles, and also includes tracks from the My Iron Lung EP, Just (For College) EP, and a BBC Radio Session:

No. Title Length
1. "The Trickster"   4:42
2. "Punchdrunk Lovesick Singalong"   4:41
3. "Lozenge of Love"   2:16
4. "Lewis (Mistreated)"   3:20
5. "Permanent Daylight"   2:49
6. "You Never Wash Up After Yourself"   1:45
7. "Maquiladora"   3:27
8. "Killer Cars"   3:04
9. "India Rubber"   3:26
10. "How Can You Be Sure?"   4:22
11. "Fake Plastic Trees" (acoustic) 4:42
12. "Bullet Proof..I Wish I Was" (acoustic) 3:35
13. "Street Spirit (Fade Out)" (acoustic) 4:26
14. "Talk Show Host"   4:41
15. "Bishop's Robes"   3:25
16. "Banana Co."   2:22
17. "Molasses"   2:28
18. "Just" (BBC Radio One Session - 14 September 1994) 3:46
19. "Maquiladora" (BBC Radio One Session - 14 September 1994) 3:30
20. "Street Spirit (Fade Out)" (BBC Radio One Session - 14 September 1994) 4:22
21. "Bones" (BBC Radio One Session - 14 September 1994) 3:03

Just (For College) EP (1995)

This CD was released to College Radio stations in the US and UK in 1995 and contains rare B-Sides from the album's singles, which were later made available on the 2009 Collector's Edition.

No. Title Length
1. "India Rubber"   3:25
2. "Maquilladora"   3:25
3. "How Can You Be Sure"   4:20
4. "Just" (Live at The Forum, in London on 24 March 1995) 3:47

Personnel

  • Chris Blair – mastering
  • Chris Brown – engineering
  • Stanley Donwood – illustrations
  • Paul Q. Kolderie – mixing
  • John Leckie – production, engineering, mixing
  • Guy Massey – engineering (assistant)
  • Sean Slade – mixing
  • Jim Warren – production, engineering

Chart history

Chart (1995) Peak
position
Australian ARIA Charts[36] 23
Austrian Albums Chart[37] 37
German Albums Chart[38] 73
Swedish Albums Chart[39] 26
UK Albums Chart 6
Chart (1996) Peak
position
Belgian (Flanders) Ultratop 50 Albums[40] 8
Belgian (Wallonian) Ultratop 50 Albums[41] 26
Canadian RPM Albums Chart[42] 21
Netherlands Mega Album Top 100[43] 20
New Zealand Albums Chart[44] 8
UK Albums Chart[1] 4
US Billboard 200[2] 88

References

  1. ^ a b Roberts, David, ed. (June 2006) [1977], British Hit Singles & Albums (19th ed.), London: HiT Entertainment, p. 447, ISBN 1-90499-410-5 
  2. ^ a b "Radiohead > Charts & Awards", Allmusic, Santa Clara, California: Macrovision, retrieved on 5 May 2009
  3. ^ "Creepshow", Melody Maker, 19 December 1992 
  4. ^ Smith, Andrew (1 October 2000), "Sound and Fury", The Observer, http://observer.guardian.co.uk/life/story/0,6903,375564,00.html, retrieved 17 March 2007 
  5. ^ Richardson, Andy (9 December 1995), "Boom! Shake The Gloom!", NME 
  6. ^ Harding, Nigel (8 May 1995), "Radiohead's Phil Selway", Consumable Online, http://www.westnet.com/consumable/1995/May08.1995/revradio.html, retrieved 5 October 2008 
  7. ^ Black, Johnny (1 June 2003), "The Greatest Songs Ever! Fake Plastic Trees", Blender, http://www.blender.com/guide/articles.aspx?id=824, retrieved 15 April 2007 
  8. ^ Reynolds, Simon (June 2001), "Walking on Thin Ice", The Wire 
  9. ^ Mallins, Steve (1 April 1995), "Scuba Do", Vox magazine 
  10. ^ Randall, p. 124
  11. ^ Randall, p. 125
  12. ^ a b Randall, p. 126
  13. ^ Randall, pp. 127-28
  14. ^ Randall, pp. 129-30
  15. ^ Randall, p. 133
  16. ^ Randall, p. 139
  17. ^ Randall, p. 140
  18. ^ Fake Plastic Trees Lyrics, 3-1995, http://www.greenplastic.com/lyrics/fakeplastictrees.php 
  19. ^ - Mac Randall (1 September 2004). Exit Music: The Radiohead Story, 119. Google Print. ISBN 1-84449-183-8 (accessed 28 October 2005). Also available in print from Omnibus Press.
  20. ^ "Headcases", Melody Maker, June 1995 
  21. ^ Erlewine, Stephen Thomas. "Radiohead: The Bends at Allmusic. Retrieved 8 September 2011.
  22. ^ Alternative Press (April 1995): p. 71, ISSN 1065-1667. 
  23. ^ McGuire, David (10 March 2008). "Radiohead The Bends Review". BBC Music. http://www.bbc.co.uk/music/reviews/f8p2. Retrieved 8 September 2011. 
  24. ^ Blender Review
  25. ^ Sinclair, Tom (7 April 1995), "The Bends (1995): Radiohead", Entertainment Weekly (#269): p. 92, ISSN 1049-0434, http://www.ew.com/ew/article/0,,296713,00.html, retrieved 8 September 2011. 
  26. ^ "Records: The IoS Playlist" (behind paywall). The Independent (London). 19 March 1995. ISSN 0951-9467. OCLC 185201487. http://www.highbeam.com/doc/1P2-4705451.html. Retrieved 8 September 2011. 
  27. ^ Plagenhoef, Scott (16 April 2009). "Radiohead: The Bends: Collector's Edition". Pitchfork Media. http://pitchfork.com/reviews/albums/12938-pablo-honey-collectors-edition-the-bends-collectors-edition-ok-computer-collectors-edition/#review-album-13934. Retrieved 8 September 2011. 
  28. ^ Christgau, Robert. "Radiohead: The Bends". robertchristgau.com. http://www.robertchristgau.com/get_album.php?id=2856. Retrieved 8 September 2011. 
  29. ^ Hermes, Will (30 April 2009), "Radiohead: The Bends (Collector's Edition)", Rolling Stone (Wenner Media), ISSN 0035-791X, http://www.rollingstone.com/music/albumreviews/the-bends-collectors-edition-20090430, retrieved 8 September 2011. 
  30. ^ Ward, Simon P (13 March 1995). "Radiohead - 'The Bends'". Yahoo! Music. http://uk.launch.yahoo.com/l_reviews_a/18750.html. Retrieved 8 September 2011. 
  31. ^ Sullivan, Caroline (13 June 1997), "Aching Heads", Guardian 
  32. ^ "The 50 albums that changed music", The Observer, 16 July 2006, http://observer.guardian.co.uk/review/story/0,,1821230,00.html, retrieved 5 October 2008 
  33. ^ 500 Greatest Albums of All Time: The Bends - Radiohead
  34. ^ "Beatles, Radiohead albums voted best ever", CNN.com, 4 September 2000, archived from the original on 22 May 2008, http://web.archive.org/web/20080522120621/http://archives.cnn.com/2000/SHOWBIZ/Music/09/04/britain.albums/, retrieved 8 October 2008 
  35. ^ "Oasis album voted greatest of all time". The Times. 1 Jun 2006
  36. ^ "Radiohead - The Bends (Album)", Australian-charts.com, retrieved on 5 May 2009
  37. ^ "Radiohead - The Bends (Album)", Austriancharts.at, retrieved on 5 May 2009
  38. ^ "Chartverfolgung: Radiohead: The Bends", Musicline.de (in German), retrieved on 5 May 2009
  39. ^ "Radiohead - The Bends (Album)", Swedishcharts.com, retrieved on 5 May 2009
  40. ^ "Radiohead - The Bends (Album)", Ultratop.be (in Dutch), retrieved on 5 May 2009
  41. ^ "Radiohead - The Bends (Album)", Ultratop.be (in French), retrieved on 5 May 2009
  42. ^ "Top Albums/CDs - Volume 63, No. 1, February 19 1996". RPM. http://www.collectionscanada.gc.ca/rpm/028020-119.01-e.php?&file_num=nlc008388.2891&type=1&interval=50&PHPSESSID=c6btf3r8hs459qqt5ln3o3dcv5. Retrieved 2011-12-24. 
  43. ^ "Radiohead - The Bends (Album)", Dutchcharts.nl (in Dutch), retrieved on 5 May 2009
  44. ^ "Radiohead - The Bends (Album)", Charts.org.nz, retrieved on 5 May 2009
Bibliography

External links